The Creative Revision Process of Epilogue
Revision one features strikethrough markings and some insertion replacements for the deletions. Creative revision processes are not formulas. Lines and words may be deleted for a variety of reasons and purposes. Revision one of the Epilogue is placed after a revision of the Prologue.
Creative revision processes may not be linear. The second revision of the Epilogue indicates the principle of the ciruclarity of return. Sans-linearity, circularity allows the creator to return after a while to any page and idea.
Except for the title, the lines and words are marked with strikethroughs. All deletions, the third revision's success depends the viewer's perspective. Strikethroughs could be failures or a resolution to find another solution. A solution to the problem of representing the creator's ideas on the page.
After the final Prologue page, the fourth revision of the Epilogue is again marked predominately with strikethroughs. The fourth revision is after .
Revision five has strikethrough markings and insertions. A word is replaced with the same word. A line is crossed out and a singular word hangs from underneath the overhang. Substantially less strikethroughs mark up revision five than the previous four revisions.
Like revision five, the sixth has only two lines marked with a strikethrough. Notably, revision six introduces the Merchant of Venice.
Again, the seventh revision has substantially less stirkethroughs marked. Also, less of the page is covered with handwritten and handrawn material.